簡介：該片由Luke Jurevicius執(zhí)導(dǎo)，講述一個喜歡冒險，愛好發(fā)明又充滿好奇心的女孩阿基，為了從邪惡的梅比博士手中救回父親，她必須離家踏上史詩般的旅程。伍德蕾和科特尼將為女孩和博士配音。該片預(yù)計(jì)2019年北美上映。

簡介：In a world tormented by the Horror, the citizens of Birdabad accept the egg-eating tyranny of Kondor and his carrion crew as the price of safety. Gathered in exuberant daily ritual around the great Egguilibrium mechanism, which is tended by the silent owl, Hasan, they unthinkingly trade their eggs for fruit. Hupu, a beautiful and reckless young bird, is determined to save her egg from this terrible fate and with the help of Hasan, who is her husband, and a magical seed, she opposes Kondor and disrupts the system. In the wild chase that follows Hupu, Hasan, Kondor and a tiny busy-body chick called Mi, find themselves flung out of Birdabad into the jaws of the Horror. Terrified, confused, murderously angry with each other, this ill-assorted band form a reluctant alliance with a most peculiar guide, who promises to help them get home, if they will help him reach the Sun. Only Hupu knows that their guide is blind. Travelling from a vast modern city to the top of a volcano, down the ...

簡介：由于化學(xué)廢料的污染，東南亞某國“龍?zhí)逗眱?nèi)的生物產(chǎn)生了可怕的變異。與此同時在當(dāng)?shù)貙?dǎo)游何超的帶領(lǐng)下，來自國內(nèi)的一行人踏上了龍?zhí)逗诫U之旅。一路上眾人遇到了各種怪異的現(xiàn)象，更遭遇了巨獸的襲擊。最終他們將如何一步步化險為夷，戰(zhàn)勝巨獸逃出險地

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簡介：A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.

簡介：Iran, 1980. After an Iraqi missile strike, the oil metropolis of Abadan descends into chaos. Fourteen-year-old Omid, who works as a food delivery boy, is searching for his missing brother – and for an escape route out of the besieged city.